ASH x DARIA GAZE
For four months, the space and the paintings slowly grew into one another, like roots of the same dream.
This collaboration was never meant to be just an exhibition, but a living environment for inner transformation. The giant crystal placed at the center of the space feels as though it stepped out of the paintings themselves — becoming a physical continuation of that point of knowledge the figures are reaching toward. The vine-like traces growing through the frames are a reminder that nature never truly ends at the edge of an image. It always seeks to move outward, entering space, body, and consciousness.
We did not want to simply hang paintings on walls. What mattered to us was creating a place a person could physically step into - into their own sensitivity, wildness, and depth.
The space became something between a temple, a dream, and an inner forest, where art stops being an object of observation and becomes an experience to be lived through.
And perhaps this is what a true encounter with art feels like, when a person does not leave it as the same version of themselves.
We did not want to simply hang paintings on walls. What mattered to us was creating a place a person could physically step into - into their own sensitivity, wildness, and depth.
The space became something between a temple, a dream, and an inner forest, where art stops being an object of observation and becomes an experience to be lived through.
And perhaps this is what a true encounter with art feels like, when a person does not leave it as the same version of themselves.
“Revealed”
Through anger, resistance, and questions directed toward the unconscious, the very Self that Jung wrote about begins to emerge. Not as an image created anew, but as something uncovered. In the body’s plasticity, the gaze, and the almost animal stillness of the figure, there is a sense of an ancient memory of one’s inner nature breaking through.
Everything here is held by empty space, touch, and gaze. This work does not intend to provide ready-made answers. Instead, it leaves space for the viewer to hear something of their own and perhaps remember their own inner nature - the point where consciousness and the unconscious begin to enter into dialogue.
Everything here is held by empty space, touch, and gaze. This work does not intend to provide ready-made answers. Instead, it leaves space for the viewer to hear something of their own and perhaps remember their own inner nature - the point where consciousness and the unconscious begin to enter into dialogue.
“Sisters”
The two figures move through this experience back to back, almost without skin, in a state of complete openness before one another. As they pass through their own healing, they seem to uproot the masks from their faces not alone, but beside someone kindred in spirit. And they do not hide those masks afterward. Quite the opposite - they reveal them to the world, acknowledging their vulnerability, their living and imperfect nature.
Within this connection, the true power of vulnerability is born - a form of inner freedom.
“Sisters” is not only about blood relation. This work speaks of every experience of deep connection through which a person stops hiding themselves. It is about honesty that heals not through silence, but through presence.
Within this connection, the true power of vulnerability is born - a form of inner freedom.
“Sisters” is not only about blood relation. This work speaks of every experience of deep connection through which a person stops hiding themselves. It is about honesty that heals not through silence, but through presence.
“Star”
A new level of vulnerability.
But this time - without spectators.
As if at night, when the body is already asleep, the soul walks barefoot into the center of its own desert to finally confess the most forbidden truth. Not to the world. Not to God. But to itself.
In this work, desire becomes a guiding star, heating the blood from within. All traumas, fears, and fractures of the past transform into fuel for an inner sun. Just as coal under pressure becomes a crystal, a person eventually discovers that it was their wounds that taught them how to shine.
The figure looks directly into the point of power - the place where it is still terrifying to allow oneself to be immense, sensual, fully alive.
“Star” is the moment when the inner beast and the inner God stop fighting each other for the first time. And the person, intoxicated by the taste of their own life, allows themselves to shine without permission.
But this time - without spectators.
As if at night, when the body is already asleep, the soul walks barefoot into the center of its own desert to finally confess the most forbidden truth. Not to the world. Not to God. But to itself.
In this work, desire becomes a guiding star, heating the blood from within. All traumas, fears, and fractures of the past transform into fuel for an inner sun. Just as coal under pressure becomes a crystal, a person eventually discovers that it was their wounds that taught them how to shine.
The figure looks directly into the point of power - the place where it is still terrifying to allow oneself to be immense, sensual, fully alive.
“Star” is the moment when the inner beast and the inner God stop fighting each other for the first time. And the person, intoxicated by the taste of their own life, allows themselves to shine without permission.
“Crystal of Knowledge”
There is a kind of knowledge that cannot be approached within the ordinary limits of human identity. The personality cannot withstand it. It begins to crack, defend itself, fragment into roles and masks. That is why the deepest truths never reveal themselves to a person who clings too tightly to their own name.
Only in the state of the Self does it become possible to touch this crystal. Not to understand it with the mind, but to withstand its light within. This knowledge cannot be possessed - only passed through the body, through lived experience, through an inner alchemy.
Here, the crystal is not a symbol of power, but a symbol of access. Access to that part of the unconscious where meanings capable of changing reality are born. It is from there that a person one day retrieves something not yet manifested and brings it into the world, legitimizing their own depth, their own nature, their own light.
And perhaps true madness is to never touch this knowledge even once in an entire lifetime.
Only in the state of the Self does it become possible to touch this crystal. Not to understand it with the mind, but to withstand its light within. This knowledge cannot be possessed - only passed through the body, through lived experience, through an inner alchemy.
Here, the crystal is not a symbol of power, but a symbol of access. Access to that part of the unconscious where meanings capable of changing reality are born. It is from there that a person one day retrieves something not yet manifested and brings it into the world, legitimizing their own depth, their own nature, their own light.
And perhaps true madness is to never touch this knowledge even once in an entire lifetime.
“By Touch”
Throughout all our journeys, revelations, and inner transformations, one simple and almost forgotten truth remains: we are human. And that is a great gift.
We are given a body that feels every second - it enjoys, longs, burns, loves, breathes. And each person lives this life literally by touch. We are given sensitivity, experience, pain, and a response from the world.
Sometimes the inner fire hurts. But even then, a person is capable of transforming what they have lived through into something alive: into meaning, intimacy, into light. We are able both to extinguish and to ignite, to transform. We are capable of rewriting our own story.
This work is a reminder of the author within. Of the director of one’s own illusions. Of devotion to oneself. Of breath, of feelings, and also of continuing to live even in the absence of ready-made answers.
We are given a body that feels every second - it enjoys, longs, burns, loves, breathes. And each person lives this life literally by touch. We are given sensitivity, experience, pain, and a response from the world.
Sometimes the inner fire hurts. But even then, a person is capable of transforming what they have lived through into something alive: into meaning, intimacy, into light. We are able both to extinguish and to ignite, to transform. We are capable of rewriting our own story.
This work is a reminder of the author within. Of the director of one’s own illusions. Of devotion to oneself. Of breath, of feelings, and also of continuing to live even in the absence of ready-made answers.
contacts
greatgaze21@gmail.com
instagram.com/daria_gaze
t.me/greatgaze
